I am fascinated with how other designers, artists and other aesthetes live – do they always live amongst their own work, and only their work, or do they mix it up with other pieces?
My fascination was recently sated with a spread on Yves Gastou in the October edition of the French Architectural Digest. For those that are not familiar with the name, Gastou is not only a gallerist of 20th Century design; he’s somewhat of an expert having contributed to several books on designers of that era. The photos of his Paris abode affirm for me the theory that I can tell if I’ll like someone by looking at their home (see my previous post on Architect and Gallery BAC owner, Carlos Aparicio) – although I am yet to actually test this theory!
The apartment has fantastic bones, which you would expect for something of its age and location. Without even adding the glorious pieces of design that he has, this is a wonderful apartment. I simply cannot sing the praises of good bones enough….but I do digress. Back to the furniture. And the art!
The living room could be a gallery unto itself…a dizzying mix of styles that somehow seem to work together. Around the 1950’s rug by Jacques Despierre is a white resin sofa and side chairs from the 1960’s – still upholstered in the original silk velvet, two chairs created by Philippe Hiquily for the decorator Henri Samuel, and a blue resin cube by Marie-Claude de Fouquières. Behind the two 40’s desk chairs by André Arbus are a pair of luminous sculptures by César and Jean-Claude Farhi, and a white marble sculpture by Emile Gilioli.
Over in the dining room we have a resin table by Marie-Claude de Fouquières, paired with Louis XVI armchairs. Hanging above is an amazing Venetian glass chandelier by André Arbus. The doors are flanked by a pair of torchères by Poillerat, and in front of the doorway can be seen a sculpture by Philippe Hiquily.
In the small dining room (which is still bigger than my only dining room) we have a table by Osvaldo Borsani surrounded by aluminium chairs by Marcel Breuer. The sculpture in the left-hand corner is also by Philippe Hiquily.
I’m head over heels for the stunning master bedroom and its original wood paneling. Another André Arbus chandelier hangs above and a carpet by Pierre Cardin lies below the bed. The two tables at the foot of the bed are by Poillerat. I don’t know who painted the masterpiece above the bed so if anyone can shed some light on that I’ll be thrilled…I love it!
Gastou’s gallery, located in the heart of Saint-Germain des Prés, was designed by Ettore Sottsass. Galerie Yves Gastou specializes in European decorative arts from the 40’s to the 70’s. I can’t wait for my next trip to the city of lights so I can check it out in person!
I’m crazy about the chandelier in the master! Is this the same designer? http://www.pinterest.com/pin/261912534552504685/
Yes, the French AD is much better than the US one! I regularly buy the Spanish, German, French and Italian AD and they are all so different from the US version – I highly recommend them!
What a fabulous mix! I’m wondering, is the French AD better than the American version?
Yep, Maurice Calka, and apparently was commissioned by the house of Leleu…(my copy of the new book on Leleu arrived over the weekend.) Go figure. But, it works.
I have never seen a desk like that in my life. Maurice Calka, eh? I’m Googling this one. It is sheer perfection in that unusually shaped room. What a remarkable designer to pull those tow elements together!
Just amazing! I love this sort of hoome…not another like it….very persoanl….and everything in it a gem. Thanks!!!
I agree – great architecture! Beautiful photos!
Columnist – I completely agree, I think with a great architecture like that you could put almost anything in there and it would look great. I wish my apartment had such good bones!
Suzy I think it works because of the space all these rooms occupy – the magnificent architecture, high celings and exquisite panelling; look at the celing in the study/office. Without these, the idosyncracies might just grate, I think. Good space is very forgiving!
Please do E&EL – and show us the pics when you do!
Paris, how sweet of you! – and I think you are both right, just buy what you love and it will work. Even if nobody else agrees, you will love it – and that’s what counts.
I agree with easy, it works cause it’s your signature. (And if you’re reading this blog you already have good taste 🙂
But it doesn’t hurt to have such spectacular bone structure!
It seems to support the theory that you should buy what you love… it will all go together in the final analysis.
I’m dying to panel a room and exorcise those horrible 70’s demons, too.